My position isn’t rooted in a denial of history but in the belief that games, music, and films are creative, self-contained domains to be enjoyed on their own merits—not as platforms for political messaging.
The issue here is that every time I see someone complaining that a game is “woke” is when suddenly there are gay people, or people of colour, or women not looking like a hooters waitress in the game. And the reality here is that this isn’t being woke, it’s that the game is being based on reality. Gay people exist, always have, so do people of colour, and women of all types and men too. The people that make it political are the people that don’t want to see the real world and the people in it.
Now, I don’t know what you feel is “woke” and I’m not saying this is directed at you, but just because there are people that don’t fit some preconceived mold, and they are included in a game, doesn’t make it magically political.
A combination of:
Marxian economics—specifically the framework of oppressor and oppressed—applied to social categories such as gender, race, and sexuality + Critical Theory from the Frankfurt School.
but just because there are people that don’t fit some preconceived mold, and they are included in a game, doesn’t make it magically political.
I know you’re not directing this at me but still, I respectully disagree. This sudden overcompensation of swapping the gender, sexuality or race of characters in movies and games, under the guise of “celebrating diversity,” often feels less like a meaningful or thoughtful inclusion and more like a superficial, performative gesture. This trend is widespread and politically charged, driven not by genuine artistic intent but by a desire to align with current cultural trends. Some people call it “tokenism”.
I believe you’ve misunderstood my point. I wasn’t discussing ‘Cultural Marxism’ as a conspiracy theory, nor was I making any claims tied to anti-Semitism. What I was explaining is the historical and intellectual roots of certain frameworks, like the oppressor-oppressed dynamic, which can be traced to Marxian economics, Critical Theory, and intersectionality. These are well-documented academic concepts, not fringe ideas.
As for Jordan Peterson, I didn’t reference him or his views, but even if I had, dismissing someone’s argument based solely on perceived influences doesn’t address the substance of what they’ve said. If you disagree, I’d be happy to discuss the specifics of where you think my understanding of these concepts is incorrect.
A combination of: Marxian economics—specifically the framework of oppressor and oppressed—applied to social categories such as gender, race, and sexuality + Critical Theory from the Frankfurt School.
The issue here is that every time I see someone complaining that a game is “woke” is when suddenly there are gay people, or people of colour, or women not looking like a hooters waitress in the game. And the reality here is that this isn’t being woke, it’s that the game is being based on reality. Gay people exist, always have, so do people of colour, and women of all types and men too. The people that make it political are the people that don’t want to see the real world and the people in it.
Now, I don’t know what you feel is “woke” and I’m not saying this is directed at you, but just because there are people that don’t fit some preconceived mold, and they are included in a game, doesn’t make it magically political.
A combination of: Marxian economics—specifically the framework of oppressor and oppressed—applied to social categories such as gender, race, and sexuality + Critical Theory from the Frankfurt School.
I know you’re not directing this at me but still, I respectully disagree. This sudden overcompensation of swapping the gender, sexuality or race of characters in movies and games, under the guise of “celebrating diversity,” often feels less like a meaningful or thoughtful inclusion and more like a superficial, performative gesture. This trend is widespread and politically charged, driven not by genuine artistic intent but by a desire to align with current cultural trends. Some people call it “tokenism”.
Oh look, the Cultural Marxism conspiracy theory.
I think you’ve been consuming too much Jordan Petersen.
That whole theory was rooted in anti-semitism and some weird mistrust that Jews were imposing culture on them. It’s the biggest load of baloney.
I believe you’ve misunderstood my point. I wasn’t discussing ‘Cultural Marxism’ as a conspiracy theory, nor was I making any claims tied to anti-Semitism. What I was explaining is the historical and intellectual roots of certain frameworks, like the oppressor-oppressed dynamic, which can be traced to Marxian economics, Critical Theory, and intersectionality. These are well-documented academic concepts, not fringe ideas.
As for Jordan Peterson, I didn’t reference him or his views, but even if I had, dismissing someone’s argument based solely on perceived influences doesn’t address the substance of what they’ve said. If you disagree, I’d be happy to discuss the specifics of where you think my understanding of these concepts is incorrect.
bro who is putting that in video games
Hey, andros. I was replying to the quoted part above. I never said they put this definition into games.