Combs’s remake of Chapman’s 1988 hit now dominates the country charts, renewing difficult conversations about diversity in Nashville. Although many are thrilled to see “Fast Car” back in the spotlight and a new generation discovering Chapman’s work, it’s clouded by the fact that, as a Black queer woman, Chapman, 59, would have almost zero chance of that achievement herself in country music.
Its like if Thomas Kinkade painted over the Sistine Chapel.