Modulation / key changes have been used in music for ages but the style I’m talking about is the distinctive last verse (or chorus) sudden key change up to power through to the end. Seems to have come about sometime in the 60s/70s and was everywhere in the 80s onwards.

Examples:

Heaven is a place on earth - Belinda Carlisle

I will always love you - Whitney Houston

But who popularised it? What was the first big song to do it and set the style for the genre?

  • ikidd@lemmy.world
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    1 day ago

    You see it in classical music all the time, like minor to major changes leading to crescendos or other larger shifts leading to the end of a movement. Mozart, Bach, Beethoven, Chopin. It’s nothing new.

    • FourPacketsOfPeanuts@lemmy.worldOP
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      1 day ago

      Agree. But mine is a question about style as much as anything. It’s use in 80s ballads is distinctive. Same key throughout song then a singular upshift for the last verse / chorus. I’m not referring to music that modulates throughout the whole piece, or makes a change near the end having done it in several other places.

      • Mr_Blott
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        16 hours ago

        Growing up in the 70s I first noticed it on Stevie Wonder’s I Just Called

        That was a maaaassive hit so I wonder if that caused an uptick in the use

        • FourPacketsOfPeanuts@lemmy.worldOP
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          13 hours ago

          Yes that’s exactly the pattern I’m talking about. The upwards change is only used at the end where it’s used twice. “I just called” is from 1984 though. Through digging around the earliest I’ve found the style is in Penny Lane 1967. Am a bit on the fence about that though as the key shifts a lot through the song, but there’s a definite key change up for emphasis on the last chorus.