Get fuuuuuuuuuuuuuucked
“This isn’t going to stop,” Allen told the New York Times. “Art is dead, dude. It’s over. A.I. won. Humans lost.”
“But I still want to get paid for it.”
Get fuuuuuuuuuuuuuucked
“This isn’t going to stop,” Allen told the New York Times. “Art is dead, dude. It’s over. A.I. won. Humans lost.”
“But I still want to get paid for it.”
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In the current economic system you’re saying that artists trying to get paid for making art should effectively cease to exist.
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Nah this is lib shit.
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No attacking artists for trying to avoid having their work (labor) stolen is lib shit. I am not arguing with you because there is nothing to argue about with a liberal.
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I just noticed that you’re arguing with a 4 day old account that name-dropped me in the title of one of his own threads.
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It takes one click to notice that an account name I haven’t seen before, one posting quite a bit and name-dropping me in their own thread titles, is 4 days old. Bad faith posters and alt accounts of previously banned people are a thing, and I think you already know that.
If you aren’t either of those in intent, cool off, take a little walk, and come back and bring the funny or whatever.
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I reserve the right to be cautious when I’m getting a lot of escalating interaction from a 4 day old account that apparently already knew enough about me and what I’m about to make me a topic of a thread post.
Good. Carry on then.
Feel that way if you must, but I am explaining why a lot of people here aren’t quite as bazinga for the treat printers when it comes to driving artists entirely out of the craft because of economic precarity, consequently leading to even more expansion of the bland and bleak brave new world of treat printers.
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Are you so certain of that?
You may be more correct there than you realize, especially regarding my first question there.
Yeah fanfiction is cool and good but there really are people, from paid-by-commission artists to graphic designers to writers under publisher contracts that are all affected by treat printers. Their material conditions have worsened and precarity has increased. “You got yours,” so to speak, but that doesn’t mean you speak for everyone else there. Losing a job sucks; that shouldn’t be hard for you to understand.
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Even if that were so (and that really depends on how wide your definitions are), does that invalidate the existence of everyone that does try to make a living with their art?
Ideologically absolute anti-IP stances with no considerations for ordinary artists that aren’t IP-hoarding corporations aren’t likely to win over those artists or the people that care about them. You complained about a relative lack of support for your positions here. I am explaining why that is so.
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