Wading into other people’s fights has proved a theme for the co-writer of Father Ted and writer-director of The IT Crowd. A vociferous critic of the transgender rights movement, Linehan’s views have, in recent years, cost him friends, his livelihood and, he claims, his marriage. But, despite having been given a verbal warning by police after a complaint from a trans campaigner, he remains uncowed. Tough Crowd is, then, his memoir-cum-defence statement in which he recounts his years making TV sitcoms before he was “perceived as toxic” and lays bare his grief at all he has lost.

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But all charm evaporates in Linehan’s exhaustive recounting of the past five years as an “activist”, during which memoir is largely replaced by polemic. He is oddly sage-like on the early dangers of social media, though this doesn’t prevent him from being hypnotised by the heated online exchanges between trans campaigners and gender critical feminists. In 2018, while lying on a hospital trolley, of all places, fresh from surgery for testicular cancer, he picks up his phone and posts a series of tweets “[nailing] my colours to the gender-critical mast”.

The more he is abused for his opinions, the more entrenched and maniacal those opinions seem to become. Here, as on his Twitter page, he makes a show of misgendering trans men and women, and says he is stunned at his “inability to make people care about the daylight theft of women’s rights, or the greatest safeguarding scandal since Rotherham, or the greatest medical scandal since thalidomide”.

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Tough Crowd reads less like the story of a man heroically cleaving to his principles than a document of a peculiar and self-defeating obsession, a sad coda to a once towering talent.