"There is no nice metaphorical way to deal with the rising wave of fascism," director Ali Abbasi said when asked why he wanted to make the film about the former president's rise to power in 1980s America. "I think it's time to make movies relevant. It's time to make movies political again."

At Cannes, it’s all about the standing location. 😁 What’s this, the third story about the length of time people have clapped a film at this year’s event?

  • AutoTL;DR@lemmings.worldBEnglish
    51·
    1 month ago

    This is the best summary I could come up with:

    One of the most anticipated moments of the 77th Cannes Film Festival finally arrived Monday night with the world premiere of the Donald Trump drama The Apprentice, starring Sebastian Stan as a young version of the real estate mogul in his pre-MAGA days.

    Only Francis Ford Coppola’s wildly ambitious swan song Megalopolis had inspired more pre-premiere chatter and curiosity at this year’s edition of the glamorous French film festival.

    Directed by acclaimed Iranian-Danish filmmaker Abbasi and written by Gabe Sherman, The Apprentice explores Donald Trump’s rise to power in 1980s America under the influence of the firebrand rightwing attorney Roy Cohn.

    After the screening, Abbasi warmly hugged his cast members and Cate Blanchett, sitting just in front of the director and crew, was the first to jump up and applaud, embracing Bakalova.

    Abbasi also held up his cell phone to the cameras during the standing ovation to show a shirtless selfie of Strong in costume and seemingly backstage from his play in New York.

    By Monday night, The Apprentice still didn’t have a U.S. distributor in place, although it sold earlier in the Cannes festival to StudioCanal for the U.K. and Ireland, where it will be released theatrically later this year.

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