- cross-posted to:
- movies@hexbear.net
Justice Smith was great in the D&D movie, is this a horror movie?
I mean, there’s a horrifying part right off the bat at the beginning where
spoiler
the protagonist’s mother votes for Bill Clinton
he’s great in this one too
it’s a horror movie in that it’s about horrifying situations, but it isn’t really scary at any point beyond an existential dread. mostly just deeply sad and distressing but never in a way that has any adrenaline involved. it’s fantastic, instantly an all time fave
vague spoiler
the movie is about being closeted and how miserable it is to repress who you are
How many Omoris of scary is it?
?
?
?
i have not played omori but i’m GUESSING based on vibes that it’s like a 1 or a 2? extremely not scary scary, there’s one scene that’s imo mildly scary but other than that there’s basically nothing i would describe as scary in the way a scary movie is scary
i really think you’d be ok
i have not played omori
then we both haven’t played/watched something that we really need to. i’ll work on fixing my end this weekend. Omori was a game I was expecting to be far more scary but it’s really… just not that scary? There’s a handful of jump scares every now and again but you can see them coming from a mile away and they’re mild to boot
So there’s a cinematic masterwork out there that perfectly captures all the parts of a trans biography that i’ve just escaped from and fucking loathe being reminded of because that feels like being pulled back underwater when you’ve just crawled onto the shore after swimming for your life?
tbf it does sound like a must watch for me 4 or 5 years from now, but i don’t think i could do this movie any justice atm.
I’m maybe 40 minutes into it right now, and there’s also a lot of autism-coding going on with the protagonist (more in the “social anxiety, special interests, and tendency to zone out” sense than the Sheldon Bazooper stereotype). Or maybe I’m just projecting; I can’t fucking tell anymore.
But yeah, it’s a painful watch so far.
there’s also a lot of autism-coding going on with the protagonist (more in the “social anxiety, special interests, and tendency to zone out” sense
t4t dating is how i learned all i know about medieval urban planning and music theatre and how my subs expand their knowledge of paleontology, so i don’t get to complain about this.
Nice; sounds about right. I only brought it up because it’s something I haven’t seen mentioned in the other threads about the film – I read a lot of overlap between dysphoric malaise and autistic burnout with the way that Smith plays the character, at least in the first third or so of the movie, which is appropriate because of how many of us (myself included) are ND and, in a lot of cases, on the spectrum. I also posted that comment like 10 minutes before the dysphoria narrative went from “vague symbolism” to “blatantly obvious.”
I can confirm, though: if you just got out of the spiral of loneliness, depression, and denial, it is a hard fucking watch. 8 hours later, and quite honestly, I still feel enraged by it.
mild spoilers?
I keep wanting to throw around phrases like “the Charlie Brown of gender questioners” or “what if Neo took the blue pill in The Matrix” or “what if Atreyu/Bastian just rolled over and let the Nothing destroy any and all semblance of hope” or “House of 1,000 Corpses-ass ending, but psychological.”
And I’m enraged by the notion that it’s too late to burn away the facade and be true to yourself once you’re in your early 40s because fuck you, life isn’t over yet and you know it – stand up and fight, or you will die a hollowed-out husk. The writer/director knows this, and decided to go the [psychological] “torture porn” route with it.
I just watched it and it was pretty shocking how accurate the metaphor was. Im so far past a lot of my transition that it honestly made me angry. Like I was telling a past version of myself to wake the fuck up
I also definitely got the vibe the main character had something else going on too, autistic or pseudo autistic due to dysphoria and repressing the “real self”.